Category Archives: Reading

Songs From The Marq

Death of a Diva is available now. To buy it, click here.

You can also send it as a personalised Gift E-Book here.

I write in noise. My mother used to tell anyone who cared to listen that, as a child, I was incapable of enduring silence, and that – with the arrival of the domestic stereophonic headphone in the seventies and the personal Walkman in the eighties – I was able only to read, write and think, whilst I had the counterpoint of TV, records, another book, or a selection of pickles on a plate.

And I still need counterpoint today. Here is how I write: I watch, I listen, I think “What if,” or “I wish I’d said… ” followed, immediately, by “Jesus, what would have happened if I’d said…” Because I don’t write. I tell stories. And when I sit down in silence and wait for stories, nothing happens.

When I was a kid, my family had music that went from “My Fair Lady” via “Elvis Gold,” “Tchaikovsky’s Swan Lake,” numerous Andy Williams records, and vinyl by Dinah Washington Francoise Hardy Nancy Sinatra, Diana Ross and her Motown cohorts and on into ABBA, The Human League and many of the best 80’s recording artistes.

Our family soundtrack was melodic, lyrical, and tuneful. And it told stories.

And I write – I tell – stories with music ever present.

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The Girl With The Deep Blue Eyes: A Sweaty Floridian Ibsen. WIth Anal.

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Lawrence Block has been writing since God was in his heaven and Kennedy in the White House.

That he’s had an esteemed career goes without saying. He’s written slight pulpy books (After the First Death), Bigger City-wide Blockbusters (the counterintuitively named Small Town, movie scripts (Wong Kar Wai’s Blueberry Nights), and reams of commentary on, instruction for and inspirational words to writers (his Telling Lies For Fun and Profit has been a constant in my life for many years).

And he’s been incredibly flexible. In his Seventies, Block, seeing the changes in the publishing landscape, and recognising that the relationship between publishers, authors and readers was being redefined, began to self publish, to digitally publish, and to actively use his website, eNewsletters, EBay and direct sales to get his books – at prices which allowed him to make some coin on the transactions – into the hands of people who wanted to have them.

Considering he’s just three years off his 80th birthday, this might seem an odd development for an elder statesman, who might be expected to have grown used to sitting on his laurels while the publishers and their marketing department sold the books.

But Lawrence Block – like the late Jackie Collins – comes from a different place. A place which is funky and dimly lit, and very often looked down on by publishing and critics, dismissed as lesser, cheaper, dirtier. A place where Give ‘em what they want, and Get paid first are not dirty words.

Continue reading The Girl With The Deep Blue Eyes: A Sweaty Floridian Ibsen. WIth Anal.

A Slow Death Reviewed

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I have an admission to make: I love melancholy: that sense of ennui at the human condition, a despair at the inevitable entropy and ending of everything, and – bubbling just under it – the anger at man’s impotence in the face of a world that just won’t be set right.

Which is probably why I love Noir Crime, and definitely why I adored Max Drescher and “A Slow Death.” There are enough reviewers here giving out hints on the plot; suffice to say that it has more plot twists than the average mystery. Almost every time I thought I’d figured out where we were going, James Craig threw a curveball, and we were off on a direction I hadn’t foreseen. If Amazon gave out “Jaw Dropper” scores, this would be a “Four Jaws on the Floor” book.

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